GGGG_2

每個創作者都有一批說服不了自己的作品。對 yyt 來說，那是他的畢業製作——一張試圖展現所有面向、卻在過程中徹底失焦的專輯。沉澱半年後，他沒有試著修補那個方向，而是回頭找到自己真正熱愛的聲音。 《GGGG_2》就是這個過程的紀錄。 收錄了 2022 到 2026 年間的音樂碎片，22 首 Beats 加上 1 首 Bonus Track，yyt 將 Synth 音色與 Sample 文化反覆拆解重組，做出一種以 Electronic 為核心、橫跨 Jazz Hip-Hop、Ambient 與 R&B 的聲響——情緒時而躁動，時而沉靜得像坐在窗前看著窗外發呆。專輯裡刻意保留了那些通常會被剪掉的細節：截斷的音軌、破掉的聲音。這些不是失誤，是一種選擇。 貫串全專輯的背景人聲是另一條暗線。yyt Sample 了大量對話與演講片段，將它們疊進對應情緒的 Beat 裡——不搶戲，只是存在著，像我們每天都在經歷卻很少細聽的日常背景聲。 Lead Single〈Baked〉完整體現了 yyt 的編曲思維——合成器、人聲 Sample、Trumpet，加上大量的 Modulation，將 Electronic 的編曲手法融進不同風格之中，是整張專輯聲響邏輯最直接的縮影。 專輯以 Bonus Track〈看好了我只示範一次〉作結，feat. 台灣嘻哈圈饒舌歌手 HUGO。厚重的電子音牆、人聲 Sample、還有幽默又發人深省的歌詞——像是整張專輯最後的一聲苦笑，也是最直球的時刻。 Every creator has a collection of work they can’t quite reconcile with. For yyt, that was his graduation project—an unreleased album that attempted to showcase every facet of his identity, only to lose its focus entirely in the process. After six months of reflection, he didn’t try to fix that broken direction; instead, he returned to the sounds he truly loves. GGGG_2 is the document of that journey. Comprising 22 beats and one bonus track composed between 2022 and 2026, yyt deconstructs and reassembles synth textures and sampling culture. The result is a soundscape rooted in Electronic music that traverses Jazz Hip-Hop, Ambient, and R&B—shifting between restless energy and moments of stillness, like staring out a window in a quiet trance. The album intentionally preserves details usually left on the cutting room floor: abrupt track cuts and distorted audio. These aren't mistakes; they are choices. A recurring thread of background vocals runs through the project as a hidden narrative. yyt sampled a vast array of dialogues and speeches, layering them into beats that match their emotional frequency. They don’t demand center stage; they simply exist, much like the daily ambient noise we experience but rarely truly hear. The lead single, "Baked," perfectly embodies this structural philosophy—merging synthesizers, vocal samples, and trumpet with heavy modulation to blend electronic production techniques into diverse genres. It serves as the purest distillation of the album’s sonic logic. The album concludes with the bonus track, "Bonus for this bs culture" featuring Taiwanese rapper HUGO. With its massive walls of electronic sound, vocal samples, and lyrics that are both humorous and thought-provoking, it feels like a final, cynical smirk—the album's most direct and honest moment.